Storaro Indigo
Deep icy blue with violet undertones. Moonlight illusions.
CalColor 90 Red
4660 + 4630. Strong salmon red. Deeper and more orange than 32. Beautiful backlight.
Urban Vapor
Creates the visual reddish-orange appearance of sodium vapor street lights without the green found in sodium vapor sources.
7 Cyan
Photographic lighting filter equal to CC07C. Enhances blue and green transmission by effectively reducing red exposure by 1/4 stop. Heat
Cinebounce White / Black
A double-sided opaque grid material. Black side for negative fill applications. White side for soft bounce effect, comparable to bead
Spun Silver
A soft, silver foil bonded to a spun polymer base. Silver side suited for directed light, longer throws, or for
Featherflex S/G
Virtually weightless reflector material that conforms to any shape. Useful to reflect light in tight spaces. Can be crumpled for
Velvet Frost
An engineered diffusion. Embossed surface disperses the beam completely. Without the whitening effect of other frosts, there is less effect
Thin Mirror-G
Virtually weightless gold mirror material that conforms to any shape. Tough, durable base.
Industrial Vapor
Converts standard tungsten to sodium vapor.
Fluorofilter
Converts U.S. Cool White or Daylight type fluorescent lamps to 3200K photographic tungsten and removes the excess green. Available in
Parry Sky Blue
Excellent for early morning sky tones. Popular among designers for cyc and borders.
Storaro Magenta
Gel – Effects Filter
Storaro Violet
Deep reddish purple. Nice as saturated special accent.
Storaro Blue
Rich deep indigo blue. Slightly more red than 81.
Storaro Azure
Pure, crystalline blue.
Storaro Cyan
Rich, saturated Cyan color. Equals double #4390 180 Cyan – Great for moonlight.
Storaro Green
Strong dominant green. Less yellow than 90. “Christmas tree” green
Storaro Yellow
Deep yellow with amber tones. Strong, late day sunlight. Flattering on skin.
Storaro Orange
Flattering Firelight.
Storaro Red
Incendiary Red – great for fiery stage washes.
Chocolate
Warms light and reduces intensity.
Medium Grey
Helpful in balancing brightness of lamps of different wattage.
Light Grey
Neutral greys to reduce intensity without affecting color temperature.
Lime
To simulate unnatural sunlight before and after a rainstorm or tornado.
Medium Blue Green
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues,
Kelly Green
Fantasy and unrealistic effects. Unflattering on skin tones.
Blue Green
Useful for mood of mystery and for toning scenery that has been spattered in blues.
Turquoise
Useful for mood of mystery and for toning scenery that has been spattered in blues.
Primary Green
Primary green for three color primary system.
Dark Yellow Green
Alternate primary where higher transmission is desired.
Moss Green
Useful for mood, mystery and toning.
Pale Yellow Green
Sunny spring mornings.
Pea Green
Good for dense foliage and woodland effects.
Deep Blue
Deeply saturated blue with a hint of red.
Zephyr Blue
A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows.