CalColor 60 Magenta
Double 4730. Strong pink/magenta. Interesting side light with slight bluish cast.
CalColor 60 Pink
Double 4830. Rich pink accent. Excellent in follow-spots.
CalColor 60 Red
Double 4630. Medium red with pale salmon accents. Romantic subtle back or side lighting.
CalColor 60 Yellow
Double 4530. Strong yellow with green tone. Deep sunlight rays.
CalColor 90 Blue
4260 + 4230. Deep red blue. Enhances deep blues in costumes and scenery. Vibrant backlight.
CalColor 90 Cyan
4360 + 4330. Strong cyan. Fantasy water scenes.
CalColor 90 Green
4460 + 4430. Bright saturated clean green.
CalColor 90 Lavender
4960 + 4930. Dynamic, lush backlight. More red than 357.
CalColor 90 Magenta
4760 + 4730. Clean dominant magenta. Good choice for CYM color mixing.
CalColor 90 Pink
4830 + 4860. Deep rich pink. Lighter than 332. Romantic backlight or accent color.
CalColor 90 Red
4660 + 4630. Strong salmon red. Deeper and more orange than 32. Beautiful backlight.
CalColor 90 Yellow
4530 + 4560. Very strong sunlight with no red accents.
Canary
Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin.
Cerulean Blue
A crisp, clean blue-green. Useful as a water effect or as a sidelight for dance.
Cherry Red
Vibrant orange-red. Helps red and orange scenery pop.
Cherry Rose
A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for
Chocolate
Warms light and reduces intensity.
Chroma Green
A brilliant cyc lighting color which will work for chroma-keying effects in television production. Suggests reflected lighht from dense foliage.
Cinebounce White / Black
A double-sided opaque grid material. Black side for negative fill applications. White side for soft bounce effect, comparable to bead
Clearwater
The slightest blue tint. Excellent for eliminating amber shift when lights are running low on a dimmer. Good for cool
Congo Blue
Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color
Cool Blue
A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage.
Daffodil
A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects.
Dark Amethyst
Highly saturated, good for side and backlighting and non-realistic effect.
Dark Bastard Amber
Most saturated Bastard Amber.
Dark Yellow Green
Alternate primary where higher transmission is desired.
Daylight Blue
Useful for achieving depressed moods and dull skies.
Deep Amber
Very useful as a backlight. Dramatic specials and firelight.
Deep Blue
Deeply saturated blue with a hint of red.
Deep Lavender
Excellent back light. Enhances dimensionality.
Deep Pink
Rich, hot pink. Electric in effect with rich saturation.
Deep Salmon
More red than 342.
Deep Straw
Warm golden amber with some green. Useful for special effects-candlelight, firelight.
Emerald Green
An exagerrated green. Nearly double intensity as 93, less blue than 95.
Featherflex S/G
Virtually weightless reflector material that conforms to any shape. Useful to reflect light in tight spaces. Can be crumpled for
Fire
Strong red amber. Excellent for fire effects.