Henna Sky
Toasted red-amber color. Useful in re-creating setting sun or as a dramatic cyc.
Shell Pink
Warmer and lighter than 31. Good for fair skin tones and to emphasize romance.
Cherry Rose
A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for
Blush Pink
A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33.
Billington Pink
Billington Pink
True Pink
A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise.
Broadway Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting.
Floral Pink
Useful for bright musicals. Creates a happy atmosphere.
Rose Pink
Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise,
Neon Pink
A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon
Follies Pink
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow
Tropical Magenta
Tropical Magenta.
Belladonna Rose
Powerful magenta-purple. Good effects filter for dance.
Purple Jazz
A dusky purple. Good for simulating purple neon or old night club atmosphere.
Fisher Fuchsia
A medium fuchsia good for special effects. An interesting backlight or accent color.
Light Pink
Similar to 33, but slightly deeper.
Lavender Mist
Lavender Mist.
Lilly Lavender
Same intensity as 55 with more red content.
Pale Violet
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a
Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting.
Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents,
Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and
Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash.
Medium Pink
Good for general washes and cross lighting.
Clearwater
The slightest blue tint. Excellent for eliminating amber shift when lights are running low on a dimmer. Good for cool
Hemsley Blue
A sharp cold blue that stays clean when dimmed.
Tipton Blue
A soft clean blue. Good choice for cool area lighting. Can also be used to shift the amber of lamps
Aquamarine
A pale blue-green color. Can be used for area lighting. A soft backlight color.
Blue Bell
A clean light red blue. Creates naturalistic daylight fill color. Good cool area light.
Tharon Deift Blue
Clean blue with more red than 364. A true color correction filter for film. Converts 3200°K to 5500°K. Good for area
Jordan Blue
More green than 65. A crisp light blue-green.
Slate Blue
Clean medium blue. Good for sky color or moonlight.
Winkler Blue
A silvery blue, used for front light and moonlight.
Tahitian Blue
Slightly more green than 69.
Pale Rose Pink
Blue Pink, Use in general washes and toning.
Italian Blue
Good to create eerie and mysterious effects. Good for night time water effects.