Photographic lighting filter equal to CC07C. Enhances blue and green transmission by effectively reducing red exposure by 1/4 stop. Heat
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color.
A pale blue-green color. Can be used for area lighting. A soft backlight color.
Saturated color created for Lighting Designer Mike Baldassari. It’s Double #3220 Double Blue.
Good where a tint of color is needed. Excellent for natural skin tones.
A soothing green blue. More blue than 76. A good conventional moonlight color. Interesting tonal color.
A clean light red blue. Creates naturalistic daylight fill color. Good cool area light.
Useful for mood of mystery and for toning scenery that has been spattered in blues.
A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33.
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting.
Very pale blue tint with a hint of red. Nice no-color definition when crossed with 51.
Very pale blue green. Interesting industrial daytime skies. Use with caution on skin tones.
Pale, balanced green without yellow tones. Nice for leaf breakups and foliage washes.
Pale no color lavender. Slightly cooler than 351. Tones without adding color.
Pale Magenta. Cooler than 3318. Useful on many skin tones.
Between 33 and 333. Excellent on all skin tones. Not as cool as 333.
Very pale red. Subtle warming on skin tones. Warmer than R05
Very pale yellow. Interior lighting to create industrial mood.
Double 4415. Golden green wash. Less saturated but strong, balanced green. Excellent for exterior landscaping.
Double 4915. Excellent cool on skin tones. Nice warm tones during nighttime.
Double 4715. Medium cool magenta. Nice fill light without adding warmth.
Double 4815. Pretty pink. Slightly more blue than 34. Nice for musicals and “happy” lighting.
Double 4615. Pale red with peach tones. Nice on skin when paired with a cooler cross light.
Medium yellow with green tone. Bright sunlight accents. Not flattering on skin. Combine with 4430 for rich foliage washes. Double
Double 4230. Medium blue with red tones. Nice cool crosslight on most skin tones.
Double 4330. Strong eerie daylight. Simulates fluorescent and industrial light sources.
Double 4430. Rich bright green. Good transmission of color.