7 Cyan
Photographic lighting filter equal to CC07C. Enhances blue and green transmission by effectively reducing red exposure by 1/4 stop. Heat
Alice Blue
A rich clean red blue that warms to lavender when dimmed.
Apricot
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color.
Aquamarine
A pale blue-green color. Can be used for area lighting. A soft backlight color.
Azure Blue
A clean slightly green blue. Good moonlight fill.
Baldassari Blue
Saturated color created for Lighting Designer Mike Baldassari. It’s Double #3220 Double Blue.
Bastard Amber
Good where a tint of color is needed. Excellent for natural skin tones.
Belladonna Rose
Powerful magenta-purple. Good effects filter for dance.
Bermuda Blue
A soothing green blue. More blue than 76. A good conventional moonlight color. Interesting tonal color.
Billington Pink
Billington Pink
Blue Bell
A clean light red blue. Creates naturalistic daylight fill color. Good cool area light.
Blue Green
Useful for mood of mystery and for toning scenery that has been spattered in blues.
Blush Pink
A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33.
Booster Blue
Helps maintain white light when dimmer is at low intensity.
Bright Blue
Cool clear bright blue.
Brilliant Blue
Used for dramatic moonlight effects.
Broadway Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting.
CalColor 15 Blue
Very pale blue tint with a hint of red. Nice no-color definition when crossed with 51.
CalColor 15 Cyan
Very pale blue green. Interesting industrial daytime skies. Use with caution on skin tones.
CalColor 15 Green
Pale, balanced green without yellow tones. Nice for leaf breakups and foliage washes.
CalColor 15 Lavender
Pale no color lavender. Slightly cooler than 351. Tones without adding color.
CalColor 15 Magenta
Pale Magenta. Cooler than 3318. Useful on many skin tones.
CalColor 15 Pink
Between 33 and 333. Excellent on all skin tones. Not as cool as 333.
CalColor 15 Red
Very pale red. Subtle warming on skin tones. Warmer than R05
CalColor 15 Yellow
Very pale yellow. Interior lighting to create industrial mood.
CalColor 30 Blue
Double 4215. Pale blue with reddish cast.
CalColor 30 Green
Double 4415. Golden green wash. Less saturated but strong, balanced green. Excellent for exterior landscaping.
CalColor 30 Lavender
Double 4915. Excellent cool on skin tones. Nice warm tones during nighttime.
CalColor 30 Magenta
Double 4715. Medium cool magenta. Nice fill light without adding warmth.
CalColor 30 Pink
Double 4815. Pretty pink. Slightly more blue than 34. Nice for musicals and “happy” lighting.
CalColor 30 Red
Double 4615. Pale red with peach tones. Nice on skin when paired with a cooler cross light.
CalColor 30 Yellow
Medium yellow with green tone. Bright sunlight accents. Not flattering on skin. Combine with 4430 for rich foliage washes. Double
CalColor 60 Blue
Double 4230. Medium blue with red tones. Nice cool crosslight on most skin tones.
CalColor 60 Cyan
Double 4330. Strong eerie daylight. Simulates fluorescent and industrial light sources.
CalColor 60 Green
Double 4430. Rich bright green. Good transmission of color.
CalColor 60 Lavender
Double 4930. Rich comfortable lavender. Compliments darker skin tones.