Pale Rose Pink
Blue Pink, Use in general washes and toning.
Pale Violet
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a
Pale Yellow
Double saturation of 06.
Pale Yellow Green
Sunny spring mornings.
Parry Sky Blue
Excellent for early morning sky tones. Popular among designers for cyc and borders.
Pea Green
Good for dense foliage and woodland effects.
Peacock Blue
Good for fantasy, moonlight and water effects.
Primary Blue
Primary blue. For use with three color light primary system in cyc lighting.
Primary Green
Primary green for three color primary system.
Purple Jazz
A dusky purple. Good for simulating purple neon or old night club atmosphere.
Roscoflex G
A soft reflector combined with a warm gold tint. Useful for creating an early morning or late afternoon appearance. Tough,
Roscoflex H
Matches the reflective characteristics of the traditional “hard” side of a reflector board. For long throw or situations requiring strongly
Roscoflex M
A specular mirror surface for long throw reflectors or as a relay mirror to reflect the sun into a second
Roscoflex S
Matches the reflective characteristics of the traditional “soft” leaf side of a reflector board. For short throw to medium throws
Roscoflex SS
A “supersoft” reflector that produces a wider coverage at shorter distances than the Roscoflex S. Tough, durable base.
Roscoscrim
A perforated material with a metalized silver side that when used as a window scrim helps reflect radiated heat. Reduces
Rose
Use on scenery and background effects. Adds tone and modeling to scenery.
Rose Gold
A pale blush amber for skin tones and backlight.
Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and
Rose Pink
Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise,
Rose Purple
Pale evening color. Excellent for backlight.
Rose Tint
A clean pale pink; useful as a blush for skin tones.
Royal Blue
Excellent for non-realistic backgrounds. A very saturated. Pronounced red content that will shift toward purple when dimmed. Low transmission but
Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents,
Salmon
Light orange with high blue content.
Salmon Pink
General wash. Good for follow spots.
Sapphire Blue
A deep romantic blue on the red side.
Scarlet
Very deep amber. Red with a touch of blue.
Sea Blue
Occasionally used for general cool tint and non-realistic washes.
Sea Green
For enhancing water scenes or deep sea environments. Greener than 73.
Shell Pink
Warmer and lighter than 31. Good for fair skin tones and to emphasize romance.
Skelton Exotic Sangria
A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects color.
Slate Blue
Clean medium blue. Good for sky color or moonlight.
Soft Golden Amber
An amber with some green content. A good sunlight transition color that shows the progression of the sun from white
Special Lavender
Same as 53, but warmer. Useful for beams of realistic moonlight.
Spun Silver
A soft, silver foil bonded to a spun polymer base. Silver side suited for directed light, longer throws, or for