Magenta
Similar uses as 45 where more saturation is needed.
Mauve
Subdued sunset effect. Useful in backlights. To create seedy atmosphere.
Mayan Sun
A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color.
Medium Amber
Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values.
Medium Bastard Amber
Especially useful when cross lit with a cool color. Excellent for natural sunlight.
Medium Blue
Good for non-realistic night skies.
Medium Blue Green
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues,
Medium Grey
Helpful in balancing brightness of lamps of different wattage.
Medium Pink
Good for general washes and cross lighting.
Medium Purple
Darkest of the magenta purple range.
Medium Red
Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights.
Medium Salmon Pink
Deepest of the salmon pinks.
Medium Straw
Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones.
Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash.
Medium Yellow
Yellow with green. Good for special effects. Unflattering in acting areas.
Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting.
Middle Rose
Musical pink. Lush accents. Very versatile color.
Midnight Blue
An intense red-blue. Deeper than 83 with a little more red.
Mist Blue
Excellent for general area washes. Very light cool tint of blue.
Moss Green
Useful for mood, mystery and toning.
Neon Pink
A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon
Neutral Grey
A very neutral filter to balance brightness of lamps of different wattage without changing the color temperature.
Night Blue
Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light.
Nile Blue
Useful for very light midday skies. Occasionally used for general cool tint.
No Color Blue
Helps maintain white light when dimmer is at low intensity.
No Color Straw
Slightly off white. Good for interiors.
Orange
Provides a romantic sunlight through windows for evening effects.
Orange Red
Good for firelight or special effects. Use when red with higher yellow content is needed.
Pacific Gree
Cyc Wash. Good Costume color. Magical on skin.
Pale Amber Gold
Deep straw. Good for late afternoon sunsets or firelight.
Pale Apricot
A peach amber. More yellow than 305.
Pale Bastard Amber
Very pale warm white. Perfect for enhancing the HPL lamp in a Source Four.
Pale Blue
Good for creating an overcast look and feeling.
Pale Gold
Warmer straw. Flattering to skin tones.
Pale Grey
A half stop neutral density.
Pale Lavender
Use when a touch of color is needed.